These were among the first works to be bought for the National Gallery in 1824, from the prestigious collection of John Julius Angerstein (1735–1823).Ĭlaude was a prolific painter of seascapes, and this is one of three imaginary seaports owned by the National Gallery. The picture was painted in 1648, along with its pair, Landscape with the Marriage of Isaac and Rebecca. The round tower on the right was his principal emblem. The name of the man who commissioned the painting, the Duc de Bouillon (1605–1652), is inscribed on the last step in the bottom right corner, showing his interest in the subject. The classical buildings on either side create a symmetrical and balanced scene, and reflect the many years Claude spent working in Rome. The soft warm light of sunrise typical of Claude’s idealised seascapes captures the gentle ripples of the water, undersides of the clouds and foliage, and silhouettes of the boats. The meeting was often painted, but it was unusual to depict the Queen’s embarkation. ![]() ![]() ![]() Crowned and dressed in red, the Queen descends the steps. This painting depicts an episode from the Old Testament: the Queen of Sheba embarking on her journey to see King Solomon in Jerusalem.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |